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vendredi 19 août 2011

Interview "Woman on the Verge"

Twilight’s Kristen Stewart on growing up, getting married, and giving birth—as millions look on.

By Lynn Hirschberg
Photographs by Mert Alas & Marcus Piggott
Styled by Edward Enninful
September 2011

Lynn Hirschberg: Everyone knows you as Bella Swan, the heroine of the Twilight series, whose penultimate installment, Breaking Dawn Part 1, premieres on November 18. What audiences may not know is that you’ve been acting since you were a child. How did you get your start?
Kristen Stewart: It’s weird, because I would be the last person in my school to be in plays, but I was forced to sing a song in a school thing. I sang a dreidl song, which is funny for me. I’ve never celebrated Hanukkah—it wasn’t in my upbringing, but it was one of those deals where everybody has to pick a song or participate somehow in the chorus. It wasn’t the normal dreidl song; I can’t really remember the words, but it was a more serious dreidl song. The dreidl was huge, it was really honored. And that’s how I met my agent, who was in the audience. I was eight. I was nine when I did my first movie, The Safety of Objects.

Did you do any commercials, or did you go straight into films?
I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you’d typically go out for as a young kid. I wasn’t the type of kid who would be in stuff that kids watch. I wasn’t cutesy.

In 1999 David Fincher cast you as Jodie Foster’s daughter in Panic Room. He likes to do dozens of takes for each scene. Was that difficult, as a child?
I didn’t realize that 80 takes wasn’t normal. But it’s funny: Some of my proudest moments from film sets are in Panic Room. My character had seizures. Just being able to say, I was 10 years old and I broke all the blood vessels in my eye on that take, is cool. It was fun.

You had a tomboy quality, which was unusual.
I have brothers, and that so-called boyish quality was something that I was deathly self-conscious about when I was younger. I was, like, No, I’m a girl. Actually, I’m still embarrassed to say that.

But it sets you apart from other young actresses. And it made you more interesting.
I don’t really know what to say. I just knew I wanted to work. And I did. I was working when I read the script for Twilight. I read the script before I read the book. I actually did the audition before reading the book, which was kind of crazy. Obviously, I tore all four books apart over the course of three years, but initially I had no idea that Twilight was such a big deal.

Did you have a particular interest in vampires?
All young girls like vampires. I fucking love me a vampire [Laughs]. I was 17 when I read Twilight, and at the time it was so perfect for me. The script was about young kids who think they can handle stuff that they just can’t. And they’re going to do it anyway. Because, why not? Just torture yourself. I relate to that. Vampires are a little dangerous—and we girls like to test ourselves.

In Breaking Dawn, Bella and Edward, her beloved vampire, get married. What was the wedding like?
Awesome. This was my first wedding. It was insane. And odd. The wedding dress experience was a huge deal. I tried on one version of the dress, and it was like tweak and tweak and alter and tweak and change, and then it’s done. BFD dress. Huge deal.

How was the actual wedding?
It was major. The last Twilight book is filled with BFDs, things that people have been waiting for for so long. For me, it was ridiculously dramatic: I get married, give birth, the baby has an incredibly accelerated growth rate we’re all very concerned about, and I say goodbye to my dad for the last time ever. It was all big—I could never go, Whew, I’m losing this character.

Did you finally say goodbye to Bella in some meaningful way?
You’ve been living with her for a long time. I’d been anticipating that end-of-Bella moment. I was going, Oh, my God—I wonder how I’m going to feel. And the last scene of the shoot was at the wedding. Every single character was there on set. At the end of that day, I was kind of whacked. And so I never really had that moment then. Instead, it happened later. We needed to film one more sort of honeymoon scene and we went to the Virgin Islands. After that scene, my true final scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I’ve ever felt in my life.

Twilight was your college, and you graduated, in a way: You became Bella Swan at 17, and now you’re 21. Yeah—and that time has been sort of nuts for me. In film, I have chronicled every stage of my life since I was nine. And it’s more intense now, obviously, because I’m not in control of it anymore.

You’re not in charge of your life?
No. Not really. Not if I want to think solely about what I really like to do. It’s a funny thing: You want so badly for people to see what you do—you’re proud of it—and I like the effect that movies have on people. But the attention can also make me uncomfortable. In certain situations, people say to me, “C’mon, what’s wrong with you?” I apologize. I love what I’m doing, but I’m a little uncomfortable.

Do you like watching yourself?
It’s not like I sit around watching my movies again and again, but I’ve never quite believed actors when they say they don’t watch themselves. I hear them going around the block to make excuses for why they don’t watch their work. It’s bullshit. Sorry, guys—I know you watch your stuff.

It must be interesting to watch your younger self in movies. Very few people have such an extensive visual record of themselves at so many ages.
I get embarrassed. It’s weird, too: I’m 10 years old in Panic Room, and that’s a version of myself that’s pretty far away, but it doesn’t feel that far away to me. Occasionally my dad will flip the TV on, and it’s cool to look at some movie that I’m in for one second. And then, “Dude, off. Now. Like, cut it out.”

Source: wmagazine

jeudi 28 avril 2011

Scan of EW - Twilight: Breaking Dawn: Exclusive New Pics + scans


™ & © 2011 Summit Entertainment, LLC. All Rights Reserved





Après des mois de silence, la promo de Twilight: Breaking Dawn commence sur les chapeaux de roue. Le magazine Entertainment Weekly ouvre le bal avec pas moins de 7 photos exclusives, concernant le nouveau et avant dernier chapitre de la saga Twilight. Les photos sont surtout centrées sur la lune de miel, mais quelques autres clichés montrent le clan Delani, Jacob et Aarow...

Je nous trouve plutôt chanceuse nous les petites françaises ^^, la promo de Robert pour WFE, les nouvelles photos ... un plan qui se déroule sans accro, non?

Source: ew epnebelle

mardi 22 février 2011

Scans of French mag' "Série FAN - Kristen Stewart " + Translation



Kristen Stewart
De Bella à Mallory

En marge de l'aventure Twilight, Kristen Stewart enchaîne les rôles forts que ce soit dans The Runaways ou dernièrement dans Bienvenue chez les Riley. A l'opposé de la douce Bella, son personnage Mallory est celui d'une jeune prostituée qu'elle campe face au très impressionnant James Gandolfini (Les Soprano).

A l'age de 12, vous vous faisiez déjà remarquer dans Panic Room. Aujourd'hui, depuis l'effervescence Twilight vous enchaînez les rôles et on a l'impression que vous cherchez à casser votre image...
Ce n'est pas tellement que je cherche à casser mon image, mais plus que, moi non plus,je ne suis pas Bella Swan ! En 2004, dans Speak, je jouais le rôle d'une adolescente blessée qui avait été violée, en 2007, j'avais joué dans Into The Wild, vous voyez bien que j'ai toujours joué des rôles assez différents, le fait que Twilight soit une saga et qu'il y ait au total cinq films donne l'impression que je ne fais que ça, mais c'est complètement faux ! Attention j'adore jouer Bella, c'est juste que je sais aussi jouer plein d'autres registres ! (sourire). Il vous suffit d'aller voir Bienvenue chez les Riley pour vous faire une idée. Je joue une jeune prostituée qui rencontre James Gandolfini, un homme bouleversé par la mort de sa fille qui lui propose de venir habiter chez elle contre de l'argent juste parce qu'elle lui rappelle son enfant disparue.

Comment s'est passé le travail avec James Gandolfini?
C'était vraiment très riche de travailler avec un acteur de sa stature. C'est un film très émouvant, James s'est évidemment très bien occupé de moi pendant le tournage, il faisait en sorte que tout soit plus facile. Nous n'avons pas eu de mal à rentrer dans nos personnages, c'était très fluide ! J'ai beaucoup de chance en ce moment d'enchaîner les rencontres et les aventures cinématographiques intenses. Je crois que je n'ai jamais été aussi heureuse! J'ai conscience que ce qui se passe est particulièrement exceptionnel. Ça peut très bien ne pas durer alors j'en profite à fond!

Qu'est-ce qui a été le plus difficile pour vous sur le tournage?
Je crois que le plus difficile a été la scène de lap dance, j'ai dû prendre des leçons de pole dance pendant deux semaines pour les besoins du films mais ce n'est pas cela le plus compliqué, me retrouver face à James dans une scène de séduction aussi forte alors que nous avions des rapports père/fille pendant le tournage s'est révélé très bizarre émotionnellement, heureusement que James a su me mettre en confiance, il a eu une attitude paternelle en fait, comme son personnage. Le réalisateur Jake Scott a aussi été super, c'était un plaisir de tourner avec lui.

Source: crazystewfrance

Translate in English by gossip-dance

Kristen Stewart
From Bella to Mallory

Appart from the Twilight Saga, Kristen Stewart plays strong characters in The Runaways or recently in Welcome to The Riley. To the opposite of the sweet Bella, her character Mallory is a young prostitute, played with the impressive James Gandolfini (Soprano).

When you were 12 you've already been remarked in Panic room. Today with the Twilight phenomenon you keep playing differents characters and it seems like you want to break the idea that people have of you...
I'm not really looking for this, is just that I'm not Bella Swan! In 2004 I played a broken teenager who was rapped, and I also played in Into The Wild, you see I've always played differents roles, the fact that Twilight is a saga and that there are five movies give the impression that it's the only thing I do, but it's definitely not true ! But wait I love playing Bella, is juste that I'm able to play many others style! (smile) You just need to watch Welcome To The Rileys to understand this. I'm playing a young prostitute who meets James Gandolfini, a man who is upset by the lost of her daughter, and he offers her money just for being allowed to live with her, because she reminds him, his child.

How was the work with James Gandolfini?
It was very rich to work with an actor like him. This movie is very touching, James obvouisly took care of me very well while we were filming, he made things easier. It wasn't difficult to get throught our charcaters, it was very fluent! I've got lots of luck to meet new people and live all these intense cinematographic adventures. I think that I've never been so happy! I'm aware that what's happening is particularly unique, maybe things won't be like that forever so I just live the moment!

What was the harder for you on the set?
I think that the hardest thing was the lapdance, I took some lessons during two weeks of pole dance for the movie, but it wasn't the most complicated, being front of James in a scene of seduction that much strong was weird emotionally because we've got a father/daughter relation on the set, luckily James knew how to make me feel at ease, he acted like a father actually, like his character. And director Jake Scott was great too, it was a pleasure to work with him.

dimanche 13 février 2011

Kristen and the tortilla soup - 2011


Voici la traduction de la fameuse soupe aux tortillas que Kristen à donné en interview au magazine Vogue il y a quelques semaines. Je pense que je vais tester la recette prochainement :) et vous?

Pour voir le magazine ici
Screencaps du BTS du Photoshoot de Kristen pour Vogue
Le photoshoot ici
BTS du photoshoot de Kristen pour Vogue

Ci-dessous l'article parut dans le magazine (en VO)

Kristen Stewart’s body can tell a million stories. Kinetic, she jiggles, feints, and darts as she talks, hanging back, looking off to the side, signaling resistance, a combative intelligence. “The word I always use for her is vulpine,” says Jake Scott, who recently directed her in Welcome to the Rileys, in which she plays a teenage runaway and lap dancer. “Foxlike. She’s got that way of moving and being that you often find in her performances, a sort of wiliness.”

In other words, Stewart projects the kind of wary, rebellious edge that is so much more typical of her age group—she is 20—than gleeful high spirits, which is probably one reason she is head and shoulders above her peers in Hollywood’s power pyramid, and a director’s darling. Scott heard about her from his friend Sean Penn after Penn cast her as the unmoored daughter of hippie parents in the memorable Into the Wild. “Sean said, ‘You’ve gotta see this kid,’ ” Scott recalls. “ ‘She’s just so alive!’ ” For Bill Condon, currently ensconced in a year’s worth of filming for Breaking Dawn, the two-part finale of the mighty Twilight Saga, “Kristen was at the top of my list of reasons to do this movie.”

On a fall weekend in a quiet, suburban part of Baton Rouge, Louisiana, the town where the Breaking Dawn set is located (under much secrecy and heavy confidentiality agreements), Stewart, a sylph in tomboyish jeans and a lumberjack shirt, is moving around the kitchen of a friend’s house, cracking her knuckles as she talks. She gets nervous dealing with the media—TV interviews in particular, she says, make her squirm—and she is sometimes accused of being downbeat and defensive in her public appearances, not least because she rarely smiles. She nurses some bad-girl tics, smoking and littering her conversation with expletives, and maintains an insouciance in the face of her big career. “I choose things that are so overly ambitious, and if I can’t do stuff like that, I don’t want to be doing this,” she says. Scratch the surface, however, and the attitude seems more about the passion and perfectionism she feels about her work than the opposite. “A compulsion absolutely fills you,” she says of finding a good part, and admits that she sometimes has difficulty letting go.

Today she is stoked from having just returned from shooting On the Road with Walter Salles, the masterly Brazilian director of The Motorcycle Diaries and Central Station. She plays a character based on Neal Cassady’s first wife, LuAnne Henderson, opposite Garrett Hedlund and Sam Riley. It was an intense improvisatory experience that left her “crying my head off,” she says. “I didn’t want to leave.” Installing herself in Baton Rouge for the foreseeable future was “like going back to school. . . . Twilight is a different beast.” A massive production planned to the millisecond and freighted with dollar signs waiting to happen, Breaking Dawn brings several years of Stewart’s life to a climax. She feels the weight of portraying Bella Swan, “a character who is embedded in so many people’s psyches at this point. It’s starting to enter my head a lot more than it used to because it’s at the end and it’s come such a long way. I just want the fans of the book to be happy.” She laughs. “I don’t necessarily care about anyone else.”

To a large segment of the population, Stewart may have sprung fully formed onto the screen as an incarnation of their favorite heroine. (At last count, Stephenie Meyer’s books have sold some 100 million copies worldwide.) But, despite her youth, Stewart has made more than 20 films, many of them independent and nearly all of them stellar, and pulled off such pitfall-ridden roles as a teenage rape victim and a girl disabled by neurological illness. She grew up in the Valley, the daughter in a family on the more nuts-and-bolts side of the industry—her mother is a script supervisor, her father a TV producer; her brother is a grip. After being spotted as a child at a school performance, Stewart walked straight onto the A-list, taking her first proper role in 2001’s The Safety of Objects, an adaptation of an A. M. Homes story collection, alongside Glenn Close and Patricia Clarkson, and her second in Panic Room, a virtual two-hander with Jodie Foster. “At that time I just thought it was fun,” she says, grateful that she began her career before adolescent insecurities set in. “I don’t think I would ever have been able to be an actress had I not started at nine years old. I would have been the last person to stand up and say, ‘I’d like to star in the play.’ ”

Some facts about Stewart: Currently on her nightstand are Dave Cullen’s Columbine; Into the Wild author Jon Krakauer’s Under the Banner of Heaven, a study of radical Mormonism; and Anna Karenina. On her playlist, the Shins, Broken Bells, and Jenny Lewis, the L.A. musician who puts Stewart in the unusual position of being starstruck herself: “She’s the only person I’ve ever met that I can’t function around.” (Stewart also plays guitar and was thrilled to portray Joan Jett, whom she got to know, in The Runaways.) Her favorite movies are John Cassavetes’ A Woman Under the Influence, starring Gena Rowlands, and La Vie en Rose, with Marion Cotillard. She loves Jane Fonda in Klute. Her new hobby is cooking, no doubt encouraged by the fact that she lives in a somewhat isolated way: “You build a perimeter of people that are really important to you.” Friends tease her for watching the Food Network with a stern frown of concentration on her face. “I’m such a dork.” (The frown pays off. For lunch, she prepares an elaborate, and delicious, Mexican tortilla soup with numerous condiments, along with pulled-pork sandwiches.) She also likes golf, a sport that has the advantage of involving private membership and small numbers of people over large areas. So far, a regular if interesting young woman. In other ways, not regular at all. If she sees a teenage girl, Stewart will literally duck and cover. “There’s no way to eloquently put this,” she says. “I just can’t go to the mall. It bothers me that I can’t be outside very often. And also to not ever be just ‘some girl’ again. Just being some chick at some place, that’s gone.”

She can pinpoint the week she stopped being “some girl” and entered the land of 24-hour security, lockdowns, and endless speculation about her relationship with her costar-boyfriend Robert Pattinson, which she refuses to discuss. (“It’s not my job.”) She had completed the first Twilight movie, which had not yet been released, and just filmed Welcome to the Rileys in New Orleans, where, she says, “I feel so good walking down the street by myself,” before correcting herself: “At least I used to.” She went back for an extra week of work during editing, and suddenly she couldn’t walk down the street anymore. “It really erupted,” she says. “It was a weird thing to watch.”

Stewart, who is careful never to complain about the mixed blessing of the Twilight phenomenon, is smart enough to understand the nature of her particular celebrity. “Masses of girls identified with Bella in a really profound way, for want of a better word,” she says. “The connection that I’ve seen people have . . . I’ve seen it physically. It’s the characters they’re flipping for.” She also feels the power for good that comes with her influence. “It’s funny when you are endowed not only with public recognition on a fucking seriously vast level, but also money,” she says with endearing earnestness. “Like, funds.” (She was reportedly paid $25 million for the two films of Breaking Dawn, plus a percentage of the gross.) “Anytime I hear that somebody’s really rich, the first question is ‘Do you do anything with it? Or do you, like, chill? You just sit on it?’” She is thinking carefully, strategically, about how best to put her own contribution to use, and has a plan—inspired by her researches for the role of a runaway in the sex trade—to set up a network of halfway houses to help those who want to recover and get back on their feet. “That would be amazing,” she says. “Right now it’s the thing I feel most connected to.”

Stewart carries a lot on her slender shoulders for a young woman barely out of her teens. But her transition to adulthood will be a boon to moviegoers. She herself may doubt that she will eventually be able to move past the Twilight juggernaut—“At this point it seems like ‘We’ll see what the Twilight girl did. Let’s see how she’s trying to be different’ ”—but others disagree, and a generation for whom the tattle about KStew and RPattz is not so compelling and the Twilight movies perhaps a guilty pleasure rather than a fervent passion can look forward to seeing her flex her muscles in adult roles. Her nerviness and cool on-screen are interesting to watch, qualities grown women would like to see their reflection in. “She’s one of the smartest actresses I’ve ever worked with,” says Condon. “Not only does she have astonishing technical ability, she has an incredibly incisive and serious approach to character. She has just unlimited potential.”

Source: vogue public
Via: rpattzkstewtwilightaddict kristenstewartfrance

lundi 31 janvier 2011

dimanche 23 janvier 2011

On The Road



Le film On the road doit sortir cet été et les premières images commence à tomber. Filmé l'année dernière, On The Road est une adaptation du roman-culte du même nom de Jack Kerouac.
"Sur la Route'" en Français, est le livre clef de la beat generation. C'est le récit des errances de l'auteur (qui porte le pseudonyme de Sal Paradise) sur les routes américaines. Voyageant en auto-stop, logeant chez qui l'accepte, partageant femmes et alcool avec des amis d'un jour, Kerouac s'abandonne à la loi du hasard, à la recherche d'une fraternité réelle. 'Sur la route' est le compte rendu de cette quête, de ses moments d'euphorie, mais aussi de ses passages à vide et ses échecs.

Au jour d'aujourd'hui nous savons trois choses avec certitudes:
-Kristen y joue le rôle de Marylou
-nous ne savons toujours pas le jour de sa sortie
-le film est en post-production

J'ai hâte de voir la première image officielle de Kristen dans ce film! Est ce que je suis la seule à avoir lu le livre ?

Rendez-vous ici si vous voulez lire le script.

Source: foforks roseadoremars
Via: fiercebitchstew ontheroadmoviefans

samedi 15 janvier 2011

Kristen Stewart in "Vogue" Magazine - February 2011





Hier nous avons eu les premiers scans du magasine Vogue de Févier ou Kristen à pris la pose. Les voici maintenant en HQ. Bonne lecture ^^
Rappel des photoshoots de Kristen pour Vogue:
Kristen Stewart and Cam Stewart - Vogue Italia 2007
Kristen Stewart new 'Vogue' picture - Scan - 2010

Source: Kristen Stewart Brasil Todo Twilight Saga
Via: rpattzkstewtwilightaddict

Ce qu'elle portait ici
Le photoshoot ici
BTS du photoshoot de Kristen pour Vogue

vendredi 10 décembre 2010

Cover + 'Basckstage' Interview in pic: Runaways Talent - 2010




Avant ou après l'émission du The Tonight Show with Jay Leno le 08 Octobre 2010, Kristen a fait une autre interview et une petite séance photo. Voici donc l'interview en image ^^
Pour le photoshoot en HQ ici

Source: twilightpoison

jeudi 2 décembre 2010

Kristen - 'Speak' in Direct Soir a French Mag'



Un article de Kristen pour son film "Speak" c'est une première pour moi, j'en suis toute émue! Il faut dire que j'adore ce film. L'avez-vous vu? Peut-être que vous allez acheter le DVD? Pour info il sort aujourd'hui dans le commerce...

Merci @Belladouce pour les screencaps ^^ Nous n'avons pas tagué les scans donc merci de nous créditer si vous les utilisez ! (sinon je mord encore ^^)

Twilight in Direct Soir, French Mag'



Et hop un petit article sympathique sur Twilight: Eclipse. Depuis le temps que je guettais pour enfin apercevoir une mini pub (au moins ) pour la sortie en DVD de Twilight: Eclipse ...
Un magazine du soir à rendu ma journée moins morne! Alors bon c'est pas non plus "énorme" mais j'espère que ce n'est qu'un début! L'espoir fait vivre... Ci dessous un teaser-publicité pour la sortie demain dans le commerce. Merci Direct Soir

Source: DirectSoir
Merci @Belladouce pour les screencaps ^^ Nous n'avons pas tagué les scans donc merci de nous créditer si vous les utilisez ! (sinon je mord ^^)

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